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Milan’s Top 5 Looks That Won’t Leave Our Heads

Milan Fashion Week has come and gone (yet again), but the looks–and the trends–are here to stay. From Gucci’s party-girl aesthetic to Roberto Cavalli’s fierce designs, here are our top five looks from one of fashion’s haute-est events.

1.) MOSCHINO FW 2026/2027

You can always count on Moschino to bring whimsy and fun into fashion. This stunning sheer gown is living proof, with its neon flower embellishments.

2.) VIVETTA

While we’re on the topic of sheer dresses, this design by Vivetta is absolutely dreamy–delicate plaid-style embroidery and that beautiful light blue hue. I can so see this on the red carpet during awards season.

3.) Roberto Cavalli 

This dress is to. die. for. I’ve been seeing a real moment for mesh in Milan, but this one is absolutely top tier. Fausto Puglisi’s inspiration stemmed from wanting to take the house “back to black” after so many seasons of bright animal prints.

Honorable mention: 

Olandria, who was a guest at the show, slayed. Bleached brows with blonde hair plus a dark dress and accessories is a lewk.

4.)  Blumarine

No one does sweet with a bit of edge like they do. As Vogue put it, David Koma’s collection is “decadent Baroque palazzi gone to seed, masked adventurers prowling dim backstreets, and the inevitable gondola-side indiscretions.”

5.) Gucci

Last–but certainly not least–is Gucci.The internet had a lot to say, but I thought this collection was giving party girl, pulling-up-to-the-afters chic. The mini dresses, heavy black liner, and the walk solidified the aesthetic for me, and I’m here for it.

Heritage, subversion, modernity, comfort, and elegance took the spotlight this year–and we can’t wait to see what next year brings. Until next time, Milan… ciao!

BLACK IS THE BLUEPRINT: BRINGING VISIBILITY TO BLACK ARTISTRY

Is seeing believing? In the age of AI generated content becoming nearly homogenous with real, human artistry, it's almost impossible to decipher if our eyes truly do deceive us as our trust withers away. In tandem with the cultural and social effects of conservatism and consumer data selling, the hyper surveillance of the online world makes each digital interaction feel as though it's cemented in stone, paralyzing us from doing anything “different” for fear of being judged without reprieve. Whether it’s opinion, our own lives, or fashion, we’re constantly judged, and judging others based on how they portray themselves through a series of pixels; A/B testing how we can best present ourselves through instant engagement metrics. We’ve all attempted to  deviate from this hyper curation, but as we stray away from popularized aesthetics, can we truly be free in being ourselves? 

So what makes great art, and how can we achieve great artistry amidst a fear of being seen? In the oxymoronic “analog” trend that lies in the digital documentation of such practices, we find a borderland between the digital and analog worlds where maybe true creative freedom exists. 

I find that as I venture through museums that I struggle to connect with many artists' work; not that I can’t admire its beauty in skill and technique, but that it lacks evocativeness– a feature I directly associate with great art. Basquiat deeply struggled with addiction and mental health conditions, alongside his artwork being labeled as “primitive” and “childlike imagery”’; and unfortunately every Black artist (and people as a whole) have prevailed amidst a variety of discriminative forms, often channeling their pain into art. In writing these articles for Black History Month, I wanted to stray away from “the struggle” as it's so commonly portrayed, but at the same time it is important to highlight why these fashion moments have created lasting impact through fashion for generations to come. It's this rebellion through artistry and visibility that so greatly mimics the world we collectively live in.

The algorithmic nature of social media can often make it seem like the “only” great luxury fashions stem from white spaces, manufacturing hypovisibility to Black creators who frequently pioneer the fashions we later see repacked in said white spaces. Due to the abhorrent inherent racism many possess, it's a fight to be seen in the first place. In celebration of the last week of Black History Month– a month that celebrates visibility, here are some of my favorite fashion creators with unique visions that deserve more visibility:

@attiyawalcottfi @enigivensunday @iamemmanuela_ @anthony_omx @sheneawalker @jeneenaylor @temiojora

Happy Transitions🌷

Happy March! Although it may not be feeling much like spring where I am (Brooklyn), March revels in newness and rebirth. This month ushers in the changing of the guard between two seasons, and with that comes an age-old challenge: how do I handle dressing in transitional weather when it’s snowing one week and 50°F the next?

The biggest theme of transitional outfits from now until spring will be a classic, tried-and-true move: layering, layering, layering. We know the basics, popularized by fashion girl principles–a button-down over a tank, a light jacket over a T-shirt.

But we can definitely get more creative. We’ve seen a resurgence of dresses over pants, plus tights with leg warmers. And we know from these basics that if it’s done right, we can remix our same old wardrobe into completely new looks. So how can we start exploring and pushing the boundaries of layering?

When composing a layered outfit (because, much like composing a musical piece, there is an art to it), think in a few components: silhouette, color story, texture, and juxtaposition. Some fun layering ideas are:

Layering socks by color, texture, and height, Mixing structured and flowy pieces, Overlaying several skirts as a tube top and fastening with a cute brooch, Stacking belts on top of each other, Layering shirts with cutouts or interesting shapes over one another

CHAINS OF LOVE ⛓️💌

Emerald Fennell’s Wuthering Heights has taken avid Letterboxd reviewers by storm–and Jacob Elordi super-fans too. While this classic-turned-smutty film keeps some of the novel’s original charm, it also reinvents the story into something brand new.

For the Cathys out there, the Steve Madden Nitro Red Eel boots merge Catherine’s red dress energy with Linton estate drama…it’s more romantic than it sounds, promise.

If you’re looking for that Catherine Earnshaw glow, try the MERIT Flush Balm in Après for the cheeky (in more ways than one) Earnshaw vibe. For a Jacob Elordi-worthy lip, go for the Topicals Slick Salve Balm–it’s the kind of low-effort gloss that brings the no-makeup makeup mood right back.

Most of all, grab Brontë’s book from your local library, rent it on Kindle, or pick it up at a bookstore. Remember the roots of the new film, and where that inspiration comes from.✨

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Vintage Valentine’s Day Cards💌

I love old things. I love nostalgic ephemera. I love holding objects that feel ancient, marred by human touch. My favorite bins at antique stores are the ones full of forgotten pictures. I don’t often buy them, but there’s one that somehow fell into my hands: a white dog jumping over a fence in a green field. Something about the color scheme and the expansiveness pulls me back to a very specific time in my childhood, when my days were filled with the smell of humid soil and the bliss of ignorance.

The image is up on my fridge, held by an Elvis magnet–who is also dutifully holding two photobooth strips and a vintage Valentine’s Day card I just received.

In the 1700s, Valentine’s Day cards originated in England as a sneaky way for women to declare their love in a culture where that was considered a man’s job. Today, for me, the card resting on my fridge is a token of romantic love. It’s evidence that I’m known. Every time I look at it, I think of who gave it to me, and I feel seen for who I am.

Calm Before the Storm🏝️

Spring break in one week, baby! I’m thrilled, ecstatic–truly cannot wait. I keep reminding myself to stay focused on the two exams and the presentation due this week. But honestly, I’d be lying if I said my head wasn’t already eating croissants and walking around Paris.

To put off studying, I’ve been stalking international weather, curating outfits, making Pinterest boards, and daydreaming about my life in six days. For break, I’m going international again to visit friends who are studying abroad.

I’m sure I’m not alone in this eagerness to close the laptop and get back in the sun (even if it’s still going to be 60 degrees). But what I’m urging myself–and everyone else–to do is keep our eyes on the prize for just one more week, or however far away your break is.

It’ll be here soon, and it’ll be a fantastic week of no work. Keep going.

See you next week!