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Something Old, Something Ominous💍

Zendaya and Law Roach have reimagined the classic wedding tradition, “something old, something new, something borrowed, something blue,” as the blueprint for bridal method dressing. You may have heard that it is good luck for a bride to follow this tradition before her wedding as a blessing for the marriage ahead, but apparently, it is good luck for press tours too.

“It’s an old tradition that I think a lot of brides play into,” Law Roach said. “And since the storyline of the movie is based around a wedding, I think it was just something that we came up with, and it’s about the storytelling.”

The journey begins with an all-white gown and angelic makeup, then introduces black with a bow at the back, offering the first subtle hint of darkness. As the looks evolve, the hair becomes messier, the makeup more dramatic, and the smile sharper. Darkness gradually takes over, mirroring the film’s unraveling. Each appearance builds on the last, growing more ominous as the press tour continues.

The progression is especially striking:

Something Old - Vivienne Westwood, originally worn in 2015

Something New - Custom Louis Vuitton by Nicolas Ghesquière

Something Borrowed - Custom Armani Privé from Cate Blanchett’s personal archive

Something Blue - Schiaparelli Haute Couture Spring/Summer 2026

There is something so compelling about the way darkness seems to slowly encroach. Even the first beauty look feels almost heavenly, as if it exists just before the descent begins. The hair loosens, the makeup intensifies, and the expression turns sharper. She always knows how to do promo.

So, if you still have not seen The Drama, what are you waiting for? It is in theaters now!

The Case for the Pillbox Hat💊

Last week, I went to the flea market in search of a hat. I thought I wanted something fuzzy for winter, until a sweet older woman placed a handful of magical 1950s pillbox hats in front of me. I stood by the mirror for nearly thirty minutes, trying on each one, imagining myself at a cocktail party while she raved about the intricacy of their craftsmanship.

I fell in love with them, but still left empty-handed. I could not shake the feeling that I would never be able to style a hat like that in a modern way, at least not in a way that honored its legacy. I was wrong.

This morning, I opened Instagram and saw three different people wearing the same kind of satin pillbox hat, each styled in a way that felt fresh, effortless, and undeniably chic. My instinct is that, as trends cycle in and out faster than ever, this whimsical little hat may be the next standout accessory.

It is both classy and playful. It can act as the finishing touch to a minimal look, and with either a short dress or a longer silhouette, it adds just the right amount of drama. If you let it, this seemingly purposeless hat might just become your new favorite accessory.

STEP INTO SPRING ✨🩰🚕

Temperatures are rising, and so are our spirits. With spring peeking through chilly mornings and late nights out, a new wave of trend predictions is already making its way into our wardrobes. It is the perfect time to refresh the closet and add a little extra pep to your step.

For our practical pink princesses, the ballet pink Puma Speedcat Ballet Sneakers feel like the perfect touch of mauve-toned magic for spring. Pair them with L’Oréal’s Ballerina Shoes lip shade, put on Swan Lake during the train ride, and suddenly the off-duty ballerina look feels completely effortless.

2000s babies, beware: jelly shoes are back. Take the necessary precautions against blisters, give yourself at least 20 reminders that beauty is pain, and then slip into Anthropologie’s Dolce Vita Jam Jelly Shoes for the perfect picnic-day finish. Jennifer Lawrence styled them well with a monochromatic linen look and a red hat, simple, polished, and just playful enough.

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The Garment District: A (Not-So-Comprehensive) History (pt. 2)

Last week, we began an exploration of NYC’s Garment District, the nearly 120-year-old fashion capital of America. This area of soaring high-rises, airy lofts, and endless textile and trim stores give off the air that fashion things just happen here. And they do.

After immigrants migrated to America and began starting their own tailoring and clothesmaking businesses out of their homes, they eventually expanded into larger home-based enterprises as demand increased. These immigrants were primarily settled in tenements located in downtown Manhattan. However, as the 20th century arrived, manufacturing became more regulated and it was no longer allowed in residential buildings. These growing enterprises had no choice but to expand into commercial loft buildings.

Although inconvenient, this might’ve been a bit fortuitous for the businesses. At the same time, demand for ready-to-wear clothing increased. This was especially true for women’s clothing, as it was taking on its own path with different and new trends – rather than the blouses and skirts of the 19th century, dresses became more commonplace. Fashion was evolving, and so were the ways it was being consumed. Moving manufacturing to larger spaces uptown allowed for manufacturers to have showrooms to display their clothes, and also gave these businesses proximity to department stores and retailers that were typically more central and uptown in Manhattan.

However, the Garment District still hadn’t fully formed at this point. Next week, we’ll examine how the actual location of the neighborhood was established (sadly, at the expense and displacement of others, which is an important part of the history to highlight).

Stay tuned!

BROOCHES ARE EVERYONE’S BEST FRIEND🧷

The brooch is back!

Adorned across Pinterest feeds and multiple celebrity red carpet looks were gemstones galore. Diamond encrusted pins sat across men and women’s chests equally, a peacock of their uniqueness and wealth. 

This modern arts and crafts movement as rebellion against the oversaturation of the AI apocalypse on art flaunts handcrafted items and “imperfection” as watermarks of humanity. The natural asymmetry and autonomy of the handplaced brooch is a statement claiming individuality and creativity. Historically, the Victorian period from 1837 to 1901 witnessed a vast array of brooch designs, due in large part to Queen Victoria's love of jewelry and its trends. Victorian brooches featured intricate filigree work, gemstones and enamel details; as well as popular themes like flowers, hearts and symbolic designs with their own meaning and significance.

Dating back to around 1500 BCE during the Bronze Age. At that time, these early brooches served mainly as clasps to secure garments, often decorated with intricate designs or precious gems. As societies evolved, so did brooches' design and purpose. As civilizations progressed so too did brooches' form and function. Ancient Greece and Rome saw brooches take on more decorative functions inspired by nature, mythology, or everyday objects; these pieces would often be worn by both women and men to display wealth or social status.

While brooches symbolize a certain uniqueness, we’re faced with the individuality paradox: when differentiating ourselves from each other becomes a trend, we are no longer differentiated. And yet, creativity continues to prosper by finding new avenues to flourish: multiple brooches sprinkled across a blazer, brooches on the underside of a pant hem, and brooches to cinch shirts. 

Time to go rummage through your grandmother’s closet and take a stab at it!

Guess the Opera Isn’t a Dying Art After All…

A couple of weeks ago, I had an experience that felt almost unreal: an evening at the Palais Garnier. Which, admittedly, felt especially ironic after Timothée Chalamet’s comments about the opera. Clearly, he was wrong.

I have always loved live performance, especially ballet, but I had never seen a professional company perform in person before. Watching them was completely different from anything I had imagined. Their precision, strength, and grace were on another level. The piece itself was beautifully constructed, centered on themes of “the chosen one” and “the last one standing.” Every movement seemed to carry meaning. It reminded me just how powerful the body can be as a form of storytelling.

It was honestly breathtaking. And the theater itself was almost distracting in the best way. The ceilings, the artwork, the gold detailing, everything felt so grand and intentional. Even the audience added to the atmosphere. Everyone was dressed elegantly and, of course, I had to join in. For a few hours, it felt like stepping into another world.

I would recommend it to anyone, whether for the performance itself or simply to see the building. It is the kind of place that stays with you.

See you next week!